Showing posts with label |T| Theology. Show all posts
Showing posts with label |T| Theology. Show all posts

Monday, May 24, 2010

INTRODUCTION TO THE JESUS PRAYER by H.R.H. Princess Ileana of Romania (Mother Alexandra)

Lord Jesus Christ, Son of God, have mercy upon me, a sinner.

     I have often read the Jesus Prayer in prayer books and heard it in church, but my attention was drawn to it first some years ago in Romania. There in a small Monastery of Sâmbata, tucked away at the foot of the Carpathians in the heart of the deep forest, its little white church reflected in a crystal-clear mountain pond, I met a monk who practiced the "prayer of the heart". Profound peace and silence reigned at Sâmbata in those days; it was a place of rest and strength—I pray God it still is.
     I have wandered far since I last saw Sâmbata, and all the while the Jesus Prayer lay as a pre­cious gift buried in my heart. It remained inactive until a few years ago, when I read The Way of a Pilgrim. Since then I have been seeking to practice it continually. At times I lapse; nonetheless, the prayer has opened unbelievable vistas within my heart and soul.
     The Jesus Prayer, or the Prayer of the Heart, centers on the Holy Name itself. It may be said in its entirety: "Lord Jesus Christ, Son of God, have mercy upon me, a sinner;" it may be changed to "us sinners" or to other persons named, or it may be shortened. The power lies in the name of Jesus; thus "Jesus," alone, may fulfill the whole need of the one who prays.
     The Prayer goes back to the New Testament and has had a long, traditional use. The method of contemplation based upon the Holy Name is attributed to St. Simeon, called the "New Theologian" (949-1022). When he was 14 years old, St. Simeon had a vision of heavenly light in which he seemed to be separated from his body. Amazed, and overcome with an overpowering joy, he felt a consuming humility, and cried, borrowing the Publican's prayer (Luke 18:13), "Lord Jesus, have mercy upon me." Long after the vision had disappeared, the great joy returned to St. Simeon each time he repeated the prayer; and he taught his disciples to worship likewise. The prayer evolved into its expanded form: "Lord Jesus Christ, Son of God, have mercy upon me, a sinner." In this guise it has come down to us from generation to generation of pious monks and laymen.

Mother Alexandra (1909-1991) of Holy Transfiguration Monastery,
Ellwood City, Pennsylvania

     The invocation of the Holy Name is not peculiar to the Orthodox Church but is used by Roman Catholics, Anglicans, and Protestants, though to a lesser degree. On Mount Sinai and Athos the monks worked out a whole system of contemplation based upon this simple prayer, practiced in complete silence. These monks came to be known as "Quietists" (in Greek: "Hesychasts").
     St. Gregory Palamas (1296-1359), the last of the great Church Fathers, became the exponent of the Hesychasts. He won, after a long drawn out battle, an irrefutable place for the Jesus Prayer and the Quietists within the Church. In the 18th century when tsardom hampered monasticism in Russia, and the Turks crushed Orthodoxy in Greece, the Neamtzu monastery in Moldavia (Romania) became one of the great centers for the Jesus Prayer.
     The Prayer is held to be so outstandingly spiritual because it is focused wholly on Jesus: all thoughts, striving, hope, faith and love are outpoured in devotion to God the Son. It fulfills two basic injunctions of the New Testament. In one, Jesus said: "I say unto you, Whatsoever ye shall ask the Father in my name, he will give it you. Hitherto have ye asked nothing in my name: ask, and ye shall receive, that your joy may be full" (John 16: 23, 24). In the other precept we find St. Paul's injunction to pray without ceasing, (1. Thess. 5:17). Further, it follows Jesus' instructions upon how to pray (which He gave at the same time He taught His followers the Lord's Prayer): "When thou prayest, enter into thy closet, and when thou hast shut thy door, pray to thy Father which is in secret; and thy Father which seeth in secret shall reward thee openly" (Matt. 6:6).

H.R.H. Princess Ileana of Romania

     And Jesus taught that all impetus, good and bad, originates in men's hearts. "A good man out of the good treasure of his heart bringeth forth that which is good; and an evil man out of the evil treasure of his heart bringeth forth that which is evil: for of the abundance of the heart his mouth speaketh" (Luke 6:45).
     Upon these and many other precepts of the New Testament as well as the Old, the Holy Fathers, even before St. Simeon, based their fervent and simple prayer. They developed a method of contemplation in which unceasing prayer became as natural as breathing, following the rhythmic cadence of the heart beat.
     All roads that lead to God are beset with pitfalls because the enemy (Satan) ever lies in wait to trip us up. He naturally attacks most assiduously when we are bent on finding our way to salvation, for that is what he most strives to hinder. In mystical prayer the temptations we encounter exceed all others in danger; because our thoughts are on a higher level, the allurements are proportionally subtler. Someone said that "mysticism started in mist and ended in schism"; this cynical remark, spoken by an unbeliever, has a certain truth in it. Mysticism is of real spiritual value only when it is practiced with absolute sobriety.
     At one time a controversy arose concerning certain Quietists who fell into excessive acts of piety and fasting because they lost the sense of moderation upon which our Church lays so great a value. We need not dwell upon misuses of the Jesus Prayer, except to realize that all exaggerations are harmful and that we should at all times use self-restraint. "Practice of the Jesus Prayer is the traditional fulfillment of the injunction of the Apostle Paul to 'pray always:' it has nothing to do with the mysticism which is the heritage of pagan ancestry."
     The Orthodox Church is full of deep mystic life which she guards and encompasses with the strength of her traditional rules; thus her mystics seldom go astray. "The 'ascetical life' is a life in which 'acquired' virtues, i.e. virtues resulting from a personal effort, only accompanied by that general grace which God grants to every good will, prevail. The 'mystical life' is a life in which the gifts of the Holy Spirit are predominant over human efforts, and in which 'infused' virtues are predominant over the 'acquired' ones; the soul has become more passive than active. Let us use a classical com­parison. Between the ascetic life, that is, the life in which human action predominates, and the mystical life, that is, the life in which God's action predominates, there is the same difference as between rowing a boat and sailing it; the oar is the ascetic effort, the sail is the mystical passivity which is unfurled to catch the divine wind." The Jesus Prayer is the core of mystical prayer, and it can be used by anyone, at any time. There is nothing mysterious about this (let us not confuse "mysterious" with "mystic"). We start by following the precepts and examples frequently given by our Lord. First, go aside into a quiet place: "Come ye yourselves apart into a desert place, and rest awhile" (Mark 6:31); "Study to be quiet" (I. Thess. 4: 11); then pray in secret—alone and in silence.
     The phrases "to pray in secret, alone and in silence" need, I feel, a little expanding. "Secret" should be understood as it is used in the Bible: for instance, Jesus tells us to do our charity secretly-not letting the left hand know what the right one does. We should not parade our devotions, nor boast about them. "Alone" means to separate ourselves from our immediate surroundings and disturbing influences. As a matter of fact, never are we in so much company as when we pray". . . seeing we also are compassed about with so great a cloud of witnesses. . ." (Hebrews 12:1). The witnesses are all those who pray: Angels, Archangels, saints and sinners, the living and the dead. It is in prayer, especially the Jesus Prayer, that we become keenly aware of belonging to the living body of Christ. In "silence" implies that we do not speak our prayer audibly. We do not even meditate on the words; we use them only to reach beyond them to the essence itself.
     In our busy lives this is not easy, yet it can be done-we can each of us find a few minutes in which to use a prayer consisting of only a few words, or even only one. This prayer should be repeated quietly, unhurriedly, thoughtfully. Each thought should be concentrated on Jesus, forgetting all else, both joys and sorrows. Any stray thought, however good or pious, can become an obstacle.
     When you embrace a dear one you do not stop to meditate how and why you love—you just love wholeheartedly. It is the same when spiritually we grasp Jesus the Christ to our heart. If we pay heed to the depth and quality of our love, it means that we are preoccupied with our own reactions, rather than giving ourselves unreservedly to Jesus —holding nothing back. Think the prayer as you breathe in and out; calm both mind and body, using as rhythm the heartbeat. Do not search for words, but go on repeating the Prayer, or Jesus' name alone, in love and adoration. That is ALL! Strange—in this little there is more than all!
     It is good to have regular hours for prayer and to retire whenever possible to the same room or place, possibly before an icon. The icon is loaded with the objective presence of the One depicted, and thus greatly assists our invocation. Orthodox monks and nuns find that to use a rosary helps to keep the attention fixed. Or you may find it best quietly to close your eyes—focusing them inward.
     The Jesus Prayer can be used for worship and petition; as intercession, invocation, adoration, and as thanksgiving. It is a means by which we lay all that is in our hearts, both for God and man, at the feet of Jesus. It is a means of communion with God and with all those who pray. The fact that we can train our hearts to go on praying even when we sleep, keeps us uninterruptedly within the community of prayer. This is no fanciful statement; many have experienced this life-giving fact. We cannot, of course, attain this continuity of prayer all at once, but it is achievable; for all that is worthwhile we must ". . . run with patience the race that is set before us . . ." (Hebrews 12:1).
     I had a most striking proof of uninterrupted communion with all those who pray when I lately underwent surgery. I lay long under anesthesia. "Jesus" had been my last conscious thought, and the first word on my lips as I awoke. It was marvelous beyond words to find that although I knew nothing of what was happening to my body I never lost cognizance of being prayed-for and of praying myself. After such an experience one no longer wonders that there are great souls who devote their lives exclusively to prayer.
     Prayer has always been of very real importance to me, and the habit formed in early childhood of morning and evening prayer has never left me; but in the practice of the Jesus Prayer I am but a be­ginner. I would, nonetheless, like to awaken interest in this prayer because, even if I have only touched the hem of a heavenly garment, I have touched it—and the joy is so great I would share it with others. It is not every man's way of prayer; you may not find in it the same joy that I find, for your way may be quite a different one—yet equally bountiful.
     In fear and joy, in loneliness and companionship, it is ever with me. Not only in the silence of daily devotions, but at all times and in all places. It transforms, for me, frowns into smiles; it beautifies, as if a film had been washed off an old picture so that the colors appear clear and bright, like nature on a warm spring day after a shower. Even despair has become attenuated and repentance has achieved its purpose.
     When I arise in the morning, it starts me joyfully upon a new day. When I travel by air, land, or sea, it sings within my breast. When I stand upon a platform and face my listeners, it beats encouragement. When I gather my children around me, it murmurs a blessing. And at the end of a weary day, when I lay me down to rest, I give my heart over to Jesus: "(Lord) into thy hands I commend my spirit". I sleep—but my heart as it beats prays on: "JESUS".

Monday, January 25, 2010

Orthodox World - Russia (Россия)


Eastern Orthodox World


Understanding Orthodoxy (excerpts from orthodoxworld.ru)


1. The Church Building

External Arrangement

Orthodox churches generally take one of several shapes that have a particular mystical significance. The most common shape is an oblong or rectangular shape, imitating the form of a ship. As a ship, under the guidance of a master helmsman conveys men through the stormy seas to a calm harbor, so the Church, guided by Christ, carries men unharmed across the stormy seas of sin and strife to the peaceful haven of the Kingdom of Heaven. (read post)

Internal Arrangement

The interior of an Orthodox church is divided into several parts. One enters the church through the Porch where, in ancient times, the keepers (Penitents forbidden to enter the church proper) stood. From the Porch one entered the Vestibule (Narthex; Lity - Greek; Pritvor - Russian), in ancient times a large, spacious place, wherein the Catechumens received instruction while preparing for Baptism, and also where Penitents excluded from Holy Communion stood. (read post)

The Iconostasis

The most prominent feature of an Orthodox church is the Iconostasis, consisting of one or more rows of Icons and broken by a set of doors in the center (the Holy Doors) and a door at each side (the Deacon's Doors), In ancient times, the Iconostasis was probably a screen placed at the extreme Eastern end of the church (a tradition still preserved by Russian Old-Believers), but quite early it was moved out from the wall as a sort of barrier between the Nave and the Altar, with the opening and closing of curtains making the Altar both visible and inaccessible. (read post)

The Altar and Its Furnishings

The Altar which lies beyond the Iconostasis, is set aside for those who perform the Divine services, and normally persons not consecrated to the service of the Church are not permitted to enter. Occupying the central place in the Altar is the Holy Table (Russian - Prestol), which represents the Throne of God, with the Lord Himself invisibly present there. (read post)

The Bells

A striking component of Orthodox worship is the ringing of bells. Every daily cycle of public divine services starts with the ringing of bells and no one who has witnessed the procession around the church at Holy Pascha can forget the almost continuous ringing of all the church bells. (read post)

Candles and Their Symbolism

Lit candles and Icon lamps (lampadas) have a special symbolic meaning in the Christian Church, and no Christian service can be held without them. In the Old Testament, when the first temple of God was built on earth - the Tabernacle - services were held in it with lamps as the Lord Himself had ordained (Ex. 40:5, 25). Following the example of the Old Testament Church, the lighting of candles and of lampadas was without fail included in the New Testament Church's services. (read post)


2. The Icons

An Icon as an Image

Icons cannot be referred to as works of art using the common meaning of the word. Icons are not paintings. Artists use lines and colour to represent people and events belonging to material life. Since the Renaissance, life and nature have been depicted in paintings by reproducing three-dimensional space on a plane; people, animals, landscapes and things. (read post)

Reverse Perspective

Understanding icons may be difficult due to a special way of conveying space and the beings and objects inside it. We look at pictures with the eyes of a European, and what we see in them seems to resemble what we see around. 'Verisimilitude' in European painting is achieved by using linear perspective. (read post)

Time in Icon

To be able to understand icons it is necessary to know how people of the Middle Ages perceived and understood the concept of time. The difference between the concept of time in Western Europe and that in Byzantium was formed in the Renaissance period, when Europe, unlike Byzantium, acquired the new attitudes and outlook towards the world. (read post)

Light in Icon

If we speak about icons it is necessary to mention "the lightful Grace of Christ". An orthodox doctrine - isichasm - found expression in icon-painting. God is unknowable in His essence but He shows Himself through His Grace - the divine energy is effused by Him into the world. According to St. Gregory Palama (1296-1359) Jesus Christ is the Light, and his teaching is the enlightenment of people. (read post)

Symbolism of Colors in Icon

An introductory discussion on the symbolism of colors in icons Byzantines considered that the meaning of art is beauty. They painted icons that shined with metallic gold and bright colors. In their art each color had its place and value. Colors - whether bright or dark - were never mixed but always used pure. In Byzantium, color was considered to have the same substance as words, indeed each color had its own value and meaning.  (read post)

How Were the Icons Painted

Icon-painting in Old Russia was a sacred profession. On the one hand, conforming to the canon impoverished the creative process since the iconography of an image was strictly prescribed. But on the other hand it forced a painter to focus all his skill on the essence of his painting. Traditions affected not only iconography but also materials, on which icons were painted, priming substances, methods of preparing surfaces for painting, dye making techniques, and painting sequence. (read post)

Rediscovery of Icon in the XX c.

The Life of an icon was no longer than a hundred years. Then the image on it grew dark because drying oil changed its colour, and it got covered with soot from the candles. Therefore, the image was renovated: New ones were applied upon hardly visible outlines. In the XX century, when restoration techniques became more perfect, suddenly bright, pure colours showed through under the old layer of drying oil. (read post)

Iconostasis

The iconostasis is quite a solid screen stretching from the northern to the southern wall of a church, whereon icons are arranged in a predefined order. This screen divides the Altar from the church's middle part. There are three doors in the iconostasis. The central doors are called the Holy Doors. And a man who is not in a Holy order is not permitted to enter them. (read post)

Icons of Theotokos

There is no other subject in Christian iconography, exclusive of the Savior, that has been painted so often and with so much love, as the image of the Most Holy Theotokos. Iconographers of all times tried to impart to the face of Theotokos as much beauty, gentleness, dignity and grandeur as they could imagine. Russian icons always show the Mother of God grieving. (read post)

Further reading:

3. Great Feasts

4. The Holy Sacraments

5. Orthodox Worship

6. History of the Church

7. Monkhood

8. Russian Saints

9. Saints and Martyrs of XX c.

10. Orthodox Church Today

11. The Miraculous Icons

12. Liturgical Music

Source: orthodoxworld.ru

Friday, September 18, 2009

Church Architecture & Orthodox Theology


Russian Orthodox Church in Alaska

What are the traditional architectural features of Orthodox churches and how is Orthodox theology expressed through the architecture?

There are a variety of architectural styles within the Orthodox world, each with its own distinctive features and origins. Of course, many of the earliest churches were of the basilica style, often comprising three aisles separated by rows of pillars. The floor plan of such churches is somewhat different from 18th and 19th century churches found in Russia. Within the various cultures the Church found itself, a variety of styles developed.

There are, however, similarities found in each of these variations.
The focus of all Orthodox churches is the altar, which is separated from the rest of the church by the iconostasis, or icon screen. In the center of the altar one finds the altar table, upon which the Eucharist is celebrated. The altar is considered the "holy of holies" within an Orthodox church, for it is here that the Holy Mysteries are celebrated and the Body and Blood of Christ is reserved in the tabernacle on the holy altar table. The Book of the Gospels also rests upon the altar table. Only those who have specific functions within the altar are permitted to enter it.
The main part of every Orthodox church is known as the nave. It is here that the faithful gather for worship, that icons are available for veneration, that the singers, readers and chanters fulfill their functions, etc. Those in the nave focus their attention on the altar, in which the celebration of the services and sacraments is based. They also focus their attention on those liturgical rites which take place in the nave, such as the reading of scripture, various processions, the celebration of baptisms, weddings, and funerals, etc.
Finally, the third part of every Orthodox church is the vestibule, or narthex. Traditionally this "entryway" into the church is somewhat larger than we are used to finding in North American churches, as one can clearly find if one visits ancient Orthodox churches throughout the world. Not only does the vestibule serve as a "buffer" of sorts between "the world" and "the Kingdom" as represented by the church building proper, but it also has served a variety of purposes at different times and in different places. There are also certain rites which are conducted in this part of the church, such as the exhorcisims which precede the sacrament of Baptism, the betrothal at weddings [in some Orthodox communities], the prayers of churching after birth, etc. On designated occasions certain Vesper prayers and rites are also celebrated here.
Generally, Orthodox churches are surmounted by a single dome or a series of domes, with the traditional explanation being that the central dome, in which an icon of Christ the Pantocrator is generally depicted, represents the heavens. One may find Orthodox churches with one, two, three, four, five, or more domes, depending on the architectural style of the church. A variety of meanings have been appended to the appearance of domes, most dictated by popular piety rather than deep theology. For example, a five-domed church is often seen as representing Christ surrounded by the four evangelists; a three-domed church is seen as representing the Trinity; and so on.
There are a number of schemes which have been followed in the interior decoration of Orthodox churches, especially with regard to frescoes and other iconography.
In conclusion, I would suggest that one visit a variety of Orthodox churches, which will bring to light the various traditions associated with and reflected by the architecture of the Orthodox Church.

Source: OCA